The nun yify torrent download

Available in: p. BluRay p. BluRay Download Subtitles. If you torrent without a VPN, your ISP can see that you're torrenting and may throttle your connection and get fined by legal action! In eighteenth-century France a girl Suzanne Simonin is forced against her will to take vows as a nun.

Three mothers superior Madame de Moni, Sister Sainte-Christine, and Madame de Chelles treat her in radically different ways, ranging from maternal concern, to sadistic persecution, to lesbian desire. Suzanne's virtue brings disaster to everyone in this faithful adaptation of a bitter attack on religious abuses by the Enlightenment philosopher Denis Diderot. Parental Guide. Later Susanne claims that she has no recollection of the ceremony, perhaps she was in a fugue, witnessed by many, that fact could have been graciously taken as a testimony of revoking her vows had the church assumed a more liberal attitude towards its devotees.

So one can see that it is religious orthodoxy, not Catholic church itself is the fair game here. During the 17th and 18th centuries it appears to have been quite common in Catholic countries for young women to be forced to enter convents against their will; this is, for example, the fate of one character in Manzoni's "The Betrothed", written in but set around years earlier.

The main reason for this phenomenon was economic; although many convents required a "dowry" from prospective entrants, this was generally less than the amount of the dowry needed to attract a suitable husband, and once the girl had taken her vows the family no longer had any responsibility for her upkeep.

In the case of Diderot's heroine Suzanne Simonin, however, there is another problem. She is the offspring of an extra-marital affair and her mother's husband is not her biological father. Suzanne's mother, therefore, resolves to shut her daughter up in a convent, partly because she believes that this will prevent her husband from discovering the truth, partly because the presence of the girl in the family home is a constant reminder of her adulterous affair, about which she now has a guilty conscience.

The film follows the unhappy Suzanne's life as a nun. It falls into three sections, corresponding to the three Mothers Superior under whom she serves. The first, Madame de Moni, is a kindly woman who knows that Suzanne has only entered into the religious life with great reluctance and does her best to make the girl's life bearable. When de Moni dies, however, the new Mother Superior, the fanatical and puritanical Sister Sainte-Christine takes a dislike to Suzanne, whom she sees as rebellious, treating her harshly, whipping her, putting her on a diet of bread and water, and forbidding the other nuns to have anything to do with her.

Sainte-Christine is also referred to by her family name, Madame de Tourmont, a name probably chosen because of its similarity to "tourment", French for "torment". With the assistance of a sympathetic lawyer, Suzanne asks to be released from her vows, on the grounds that she was forced to become a nun against her will.

This application is unsuccessful, but at least she is transferred to another convent. Sainte-Christine is reprimanded by the Bishop for her treatment of Suzanne, but is not otherwise punished. This change in Suzanne's fortunes, however, is not necessarily for the better.

Whereas Sainte-Christine's regime was characterised by an excess of religious zeal, life in the new convent is marked by an almost total lack of it. The nuns pay only the bare minimum of attention to their religious observances, spending most of their time in gossiping, eating and drinking and frivolous entertainments.

Suzanne is befriended by the Mother Superior Madame de Chelles, who despite her elevated rank is a gay in the original sense , light-hearted young woman, not much older than Suzanne herself. What the naive Suzanne fails to realise is that her new friend is also gay in the modern sense of the word and is offering her rather more than platonic friendship.

Another important role is played by the German Wolfgang Reichmann. When this film was made in it was promptly banned by the French authorities.

It might have been the swinging sixties in the Anglo-Saxon world, but De Gaulle's France was a surprisingly conservative place. Her dreams of looming fate are simply more hard to watch when the film influences it to realize that her work has gradually been taking a pshychological and physical toll on her throughout the years.

But then, through Farmiga's stupendously adjusted execution she passes on a feeling of exhaustion that is adjusted by an expectation for humanity. Ed and Lorraine dependably say that God united them for a reason, and keeping in mind that that might be genuine depending about your emotions regarding the matter, they have both have warmth that makes them probably the most amiable blood and guts film saints in a long while.

As far as the alarms, there's nothing here that hasn't been seen before in different movies, however that doesn't imply that Wan's film comes without any imaginative desire. William Friedkin and Lucio Fulci spring to mind as prompt reference focuses for the style Wan appears to go for. Regardless of the quelled and very much reproduced period part of the film, there's certainly a curious type of revisionist style going on.

Expand dish, zooms, and degree turns through the house may make the film a higher bore frequented house understanding than crowds typically get today. There's a genuine art to Wan's work here that wasn't even obvious in his past endeavors like Saw and Insidious. Having said all that, the film truly is simply one more case of individuals getting terrified by things that go knock in the night, and those with a negative and unbending scorn of those kinds of movies, would be best encouraged to remain far, far away.

In any case, for the individuals who miss the s or are tired of the terrible name the Paranormal Activity films have given to this kind of spine chiller, The Conjuring is a welcome and well done piece of sentimentality.